9 thoughts on “ For Stompers Only - Stan Getz - Complete Roost Sessions (CD) ”

  1. View credits, reviews, tracks and shop for the CD release of Complete Roost Sessions on Discogs.
  2. Label: Roost - CDP 8 2 6,Blue Note - CDP 8 2 6 • Format: 3x, CD Compilation • Country: US • Genre: Jazz • Style: Bop, Cool Jazz Stan Getz - The Complete Roost Recordings (, CD 5/5(1).
  3. Discogs: CD, Complete Roost Sessions. リリースのクレジット、レビュー、トラックを確認し、購入。.
  4. Stan Getz ‎– The Complete Roost Sessions Label: Jazz Vogue ‎– VJD Format: 2 For Stompers Only: Navy Blue: Out Of Nowhere: 'S Wonderful: Penny: Split Kick: Stan Getz: Complete Roost Sessions /5(5).
  5. The Complete Roost Recordings is a compilation 3-CD set of sessions led by saxophonist and bandleader Stan Getz recorded for the Roost Records label between and The compilation includes material previously released on Getz's Roost LPs The Sound, The Getz Age, the two volumes of Stan Getz at Storyville and the album with guitarist Johnny Smith - Moonlight in Vermont along with Genre: Jazz, Bebop, Latin jazz.
  6. Tenor Saxophone – Stan Getz Notes Recorded in New York City on May 17, (tracks ), December 10, (tracks ), March 1, (tracks ).
  7. The Complete Roost Studio Sessions is a two-disc, track box set that contains most, but not all, of the recordings Stan Getz made for the label in the '50s. Alternate and unused takes issued on similar collections of the material are not included here, nor are the live dates he appeared on with Count Basie, or the sides he cut for the.
  8. This 3-CD set brings together all the Roost recordings Getz made from , including the sides he made with guitarist Johnny Smith; also thrown in for good measure are 3 live guest performances Getz made at Birdland with the Basie band in /5(8).
  9. Getz, however, applied his supple Lester Young derived tone and applied it to the contemporary repetiore. Which is what this 3-CD box set promises. All rounded up together for the first time on CD we have his sessions for the small Roost label in many line-ups /5(4).

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